VI
This can also be practised in all twelve keys.
Play through the chord sequence of Satin Doll, a) in axis-3 voicing and b) in axis-7 voicing. Play just two chords per bar.
Bar Nos. 1 & 2 |
Scale = C major |
Dorian for Dm7, Mixolidian for G7 |
Bars 3 & 4 |
Scale = D major |
Dorian for Em7, Mixolidian for A7 |
Bar 5 |
Scale = G major |
Mixolidian for D7 |
Bar 6 |
Scale = Gb major |
Mixolidian for Db7 |
Bar 7 |
Scale = C major |
C major |
Bar 8 |
Scale = D major |
Mixolidian for A7 |
Bars 17 & 18 |
Scale = F major |
Dorian for Gm7, Mixolidian for C7 |
Bars 19 & 20 |
Scale = Fmajor |
- |
Bars 21 & 22 |
Scale = G major |
Dorian for Am7, mixolidian for D7 |
Bars 23, 24, 25, 26 |
Scale = C major |
Dorian for Dm7, Mixolidian for G7 |
Bars 27 & 28 |
Scale = D major |
Dorian for Em7, Mixolidian for A7 |
Bars 29 - 32 |
As above |
- |
A good keyboard accompaniment would use a combination of the two voicings to produce a sound which moves in smooth steps from one chord to the next.
It should be noted that when playing in a Jazz group, guitarists should not be playing rhythm chords at the same time as the pianist. Such duplication of effort is not necessary and often sounds untidy.
In thiis case the turnaround is played by the bass but throughout a performance the sequence may be used in various ways and with various soloists to create turnarounds.
The improvised line.
When playing a solo chorus try to leave the tune and concentrate your attention on the harmonic sequence. Use as your material for improvisation the related scales and arpeggios of the chord sequence.
The following diagram gives the related scales for Satin Doll.
Dm7 |
Dorian of C |
G7 |
Mixolydian of C |
Em7 |
Dorian of D major |
A7 |
Mixolydian of D major |
D7 |
Mixolydian of G major |
Db7 |
Mixolydian of Gb major |
C |
C major |
Gm7 |
Dorian of F |
C7 |
Mixolydian of F |
Fmaj7 |
Fmajor |
Am7 |
Dorian of G |
Exercise. Click on the title 'Satin Doll' to listen to the midi file recording performed by RevRay and then rehearse Satin Doll with drums, bass, keyboard, guitar and any other soloist. Try the following sequence.
1 Play the tune on keyboard with bass accompaniment.
2 Play improvised line on keyboard with bass & drums.
3 Play improvised line on guitar with chords on keyboard + bass and drums.
3 Play improvised line on trumpet (or any other soloist) + chords on guitar + bass and drums.
4 Play improvised line on bass with drums (restrained) + chords on guitar (restrained).
5 Play tune on trumpet (or any other soloist) + chords on keyboard + bass & drums + embellishments on guitar.
Play the sequence
three times at the end as a coda.
You have now entered the world of JAZZ!!
Lesson 4
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